大田
Section III Translation【参考译文】然而,看着无家可归者绘制出的花园图片时,人们会突然想到,尽管这3332393365些花园风格多样,它们都显示了人类除了装饰和创造性表达之外的其他各种基本诉求47. A sacred place of peace, however crude it may be, is a distinctly human need, as opposed to shelter, which is a distinctly animal need.【参考译文】无论地方多么简陋不堪,寻求一片静谧圣土是人类特有的需求,而动物需要的仅是仅是避难栖息之地。48. The gardens of the homeless, which are in effect homeless gardens, introce form into an urban environment where it either didn’t exist or was not discernible as such.【参考译文】无家可归者的乐园,实际上是一个毫无家气息的地方,给城市环境带来了一种新的形式。。无家可归者描绘的花园实质上是无所依附的,这些花园把一种形式引入城市环境中,而这样的城市环境中,形式要么根本不存在, 要么就完全不是以这种明显的方式存在。49. most of us give in to a demoralization of spirit which usually blame on some psychological conditions, until one day we find ourselves in a garden and feel the oppression vanish as if by magic.【参考译文】我们大多数人会深陷于精神萎靡的状态,并常常将此归咎为一些心理原因,直到某天我们发现自己置身花园中,感到如魔法般烦闷尽消50. It is this implicit or explicit reference to nature that fully justifies the use of the word garden, though in a “liberated” sense, to describe these synthetic constructions.【参考译文】正是对自然的这种或隐晦含蓄或清晰直白的提及,充分证实了用“花园”一词来描述这些虚拟建筑是合乎情理的,即使是从毫无拘泥的意义来讲的。